Archived entries for art

Folk Taxonomy: A Portfolio

I’ve created a minimalist portfolio of my design work to keep those projects distinct from the more varied and editorial content that appears on this site. I call it “Folk Taxonomy”, which is any sort of vernacular naming system (see Wikipedia). Some items I’m particularly excited to share are:

Enjoy!

Hartford Rebranding

Many people, including me, have weighed in on the progress of Cundari’s effort to brand Hartford. Three campaigns with three logo marks were presented, and the feedback seems to be overwhelmingly negative. Comments on Hartford Courant articles aren’t typically worth the pixels they darken, but these include the criticisms I’ve heard most often:

  • Why was a Canadian group hired instead of a local designer?
  • They look like hospital logos.
  • These are generic marks.
  • They don’t do justice to Hartford.
  • They don’t express what Hartford means to me.

Now that I live in Washington DC, I no longer qualify as a local designer. However, I still love the city, have many, many, many friends there and want it to realize its fantastic potential. I’m also deeply interested in graphic and identity design, and the challenge of developing a mark for the city was too appealing to resist. After lots of research on Hartford landmarks, placebrands and the masters of identity creation, I sketched a bunch of ideas and developed a few. Here’s a look at the process:

Unsurprisingly, I quickly honed in on the “H” letterform and what ideas it could incorporate and represent: exclamation points, arrows, hearts, roads, rivers, the Soldiers and Sailors Memorial Arch. I wanted to come up with a mark that had multiple points of meaning, but I wanted it to be bold and simple. So began an intensive period of experimentation with shapes and negative space. For that, precision and speed were vital, so it made sense to move from paper to the computer. I came up with a few ideas that were encouraging, but I ended up rejecting them for different reasons.

1. Love Hartford.

I went to a Jolie Holland show this week, and one particularly memorable line of stage banter was that “New York City believes its own hype.” This is embodied in its tagline, I ♥ NY. Hartford is maybe the opposite, in a lot of people don’t realize what’s great about it, even if they live in the city. The “Love Hartford” slogan is a command, a wake-up call, and maybe a plea. Implicit in that is a call to action: show that you love Hartford. Do something.

I discarded this idea since it required more than two colors to set off the heart from the trunks of the H, and I couldn’t get it to work to my satisfaction by changing the size and spacing of the elements.

2. Let’s play.

This was really exciting at first. The shadow very subtly creates the “H” and the Soldiers and Sailors Arch in the negative space. Those same elements, with the shorter left leg, also resolve as the body of running child with arms spread wide, while the old crescent moon outlines the child’s upturned head. Ultimately, I decided that it wasn’t bold enough to be a mark for Hartford. Another designer could probably make it work, but I decided to go in a different direction.

3. Historic Hartford.

My desire to create an energetic and propulsive mark led me to to work a lot with upward-pointing arrows, which brought me back to the peaks of the arch, which in turn brought me back to the “H” letterform. That territory is simply too fecund for a literalist, which is what I am. In this logo, the arch and “H” stand out as the most obvious symbols, while the negative space at the bottom echos the top of the mark and suggests a city skyline viewed at 45 degrees. Every arrow points up in this mark, expressing the trajectory of Hartford. The angles also remind me of Gothic Tuscan woodtypes, a callback to the past. I like this mark for its simplicity and boldness, but felt I came up with something better.

Final: Your Hartford.

This is your city. Whatever you contribute to it will be repaid with interest. Once again, we have the “H” and Soldiers & Sailors Memorial Arch as the primary symbols of the city. Within that container, things start to get even more interesting. The upward arrows are again present, but their paths are traced through the negative space in the mark, suggesting the choice and individuality of the “Your Hartford” campaign. The city can be what you want it to be. The elements are also separated into a stylized “y” and “h” to reinforce that tagline. Finally, a slimmer “H” is contained within the larger “H” and stands out in blue with the two-color variation of the mark.

I thoroughly enjoyed working on this project, and I’m happy with the final mark. At the very least, it expresses what Hartford means to me: accessibility, intelligence, sophistication, history, beauty, depth and potential.

Hartford Branding

My erstwhile home, Hartford, is rebranding itself and soliciting feedback on three logo choices designed by Cundari. As a designer who has done client work, I’m a fan of the Paul Rand model, where a mark is meticulously researched, designed and refined by the designer. The presentation goes something like:

“This is your new mark. You’re welcome.”

The success of that model requires a great designer, but it also requires the audience to be receptive to something new, something bold and perhaps something not immediately accessible. I wonder if this climate exists anymore, one in which people are generally open to ideas that don’t immediately align with their preferences. The internet has ushered in an era of personalization; companies have discovered that they can make more money giving each person what he or she wants, whether it’s a particular combination of cream and sugar in a cup of coffee or news with a certain political angle. I think that the more we’re served ideas that we already agree with, the less likely we are to entertain alternate points of view and the less analytical and self-critical we become. This is scary.

It’s probably unsurprising that I prefer the visionary design of an individual, where ideas are gathered and synthesized in the research phase of a project rather than throughout. I just think that crowdsourcing, while at least seeming to be more democratic and utilitarian, ends up literally compromising a vision. To me, great design doesn’t compromise.

All of this won’t stop me from providing my critiques on each of the three proposed designs, especially since they’re asking for feedback. It’s an exciting project and I envy those who were charged with encapsulating the wonderful city of Hartford in a mark. The logos were taking from the Metro Hartford Alliance presentation.

Logo 1: New England’s Rising Star

First, let’s talk about color. There are six here, including the text at the bottom. That’s too many. It’s entirely possible to make an effective design using the entire spectrum of color, but I’m worried that in this case, it’s a lazy shorthand for diversity, vibrancy, etc. that every city wants to be. I think a logo should be specific rather than general, and the colors are entirely forgettable. The strangest choice for me is the odd pumice color of the “Hartford”.

I’m including a grayscale version (that wasn’t included in the presentation), because it’s important to consider every potential usage and there are many instances where full color is not viable. It also makes it easier to focus on the shapes. The star is clear regardless of the color, and if Hartford plans on persisting with its “New England’s Rising Star” slogan, I think it’s a good choice. It’s also the only one of the three marks that uses a symbol that has meaning, rather than the letter “H” as the centerpiece of its design. As others have pointed out, it looks quite similar to the recent Hartford Hospital rebranding.

The lowercase type, in Safran Bold, is another interesting difference from the other logos. It’s less formal, more open, more relaxed and fun. Again, the suitability of this depends on the rest of the marketing campaign, but I think it’s a reasonable choice for this mark, particularly since part of the goal is to make the city attractive for tourism.

Logo 2: Pixelated

Apparently designed for fans of Tetris, there are even more colors in this second mark, which translates very poorly into grayscale. The vibe of this logo seems to be one of sophistication, conveyed by pixels and the rounded type of Platelet Regular. I don’t particularly like the type, which I imagine is meant to balance the hard edges of the mark. I’d rather there be some consistency, with the “H” in “Hartford” be the same shape as those used in the mark.

The arrangement is also curious. Beyond locking together four H’s, the shape doesn’t symbolize anything, nor does the negative space contribute any meaning. Again, it’s somewhat forgettable. I’d love to see a map, or some other symbol of the city rather than something that’s just diagonally symmetrical. Also, I find myself continually hoping one of these will appear.

Logo 3: Leaning Tower

I’ll give Cundari the benefit of the doubt that they weren’t influenced by my Hartford Metro Map logo (a cousin) or Matt Stevens’ April Fools Day rebranding of Home Depot (almost exactly the same thing). There are lots of designs that use the negative space in the “H” as arrow stems, that I’m sure they came up with the idea rather than stealing it. However, the fact that so many people have come up with the same idea and used it means that it’s not new or unique, both of which are important for a mark like this.

The colors are, once again, too numerous, and the type (Trade Gothic?) is uninspired. The stoplight colors (plus blue) also don’t associate well with the arrows. I like compasses and I like the idea that there are many places to go and see in the city, but don’t think this is the answer. And ultimately, the sheer ubiquity of this concept should preempt its usage.

In summary, I think these marks are generally OK, but not good and certainly not great. Though I have no evidence for this, I suspect that the multiple colors were a direct request (demand?) from the client. Each of these would benefit from a more limited color palette, which would in turn require more thinking about how to make the shapes of a potential mark more interesting. Of course, it’s easy to criticize and hard to come up with something better, but I had a lot of fun trying to come up with an alternative logo for the CT Whale, and if I can find the time, I’d love to try to come up with a few ideas for Hartford.

Hartford Museum Passport

I’m thrilled to announce a project that I’ve been working on for the past few months: the Hartford Museum Passport. The passport is designed to be carried by public school children in Hartford, CT and stamped by the city’s museums. At the end of a passport carrier’s visit, each participating museum will stamp and endorse the passport.

Copies of the passport are also available to anyone who backs the project at a significant level.

The goal of the project is to encourage more museum attendance among Hartford’s children and their families, particularly those who wouldn’t otherwise have an interest in visiting the city’s cultural institutions. Please back the project and share it with friends!

Art Show at The Hollander in Hartford

Brian Cook Art Show Invitation

I’m excited to announce that I’ll be having an art show at The Hollander Building in Hartford, CT on Monday, December 20 from 6pm – 9pm. It’s free and open to the public, with refreshments and several of my posters, including the Hartford Metro Map for display and sale. There are a few more details on Hartford.com, and you can RSVP via Facebook. Stop by and say hello!
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